Viper magenta filters and workflow


New member
Hi, I'm preparing a feature film that's going to be shot with two vipers and recorded onto a OB1 (444 RGB 10 bit log) to be transfered into a 422 rgb signal (captured via downconverter). Would like to know if anyone knows the basic workflow (including transfer codecs, if to apply a correction LUT with the transfer station or wait till it's done in postproduction)
Would like to know if anyone has an opinion about the use of magenta filters to correct the green cast of the log uncompressed signal, I've heard that it not only color corrects the image, but it also increases the dynamic range and reduces noise.