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StudentFilmmakers Magazine, February 2008 Table of Contents
A Synchronized Light Show
Creative Music Video Lighting to Test and Refine Your Chops
by Kevin Zanit
Seeing the Light: Working with a Combination of Filters and Internal Reflections
Remove Distracting ‘Infernal’ Reflections
by Ira Tiffen
What to Consider When Going Tapeless
Procedures to Take on a Tapeless Workflow
by Saro Varjabedian
What is Realistic Cinematography?
by M. David Mullen, ASC
Solutions for Your Actors’ Onset SNAFUs
Best Practices for Worst-Case Scenarios
by John Badham
Independent Director’s Guerilla Field List
Arm Yourself with Back-Up Resources and Ingenuity
by Roger Marsh
An Interview with Anastas Michos, ASC
From Big-Budget Studio Films vs. Indie to Internet-Based Filmmaking
by Leonard Guercio
The Interview Process: Guide Your Subjects through to Get the Best Responses
A Few Helpful and Often Overlooked Elements
by Matthew Marshall
RED ONE: Living Up to the Expectations?
First Impressions of the Camera
by Jon Firestone
Get Your Own SFX Library Up and Recording
A Quick Start Guide
by Bryant Falk
Don’t Let Your Original Footage Run the Risk of Living in Oblivion
On Creating, then Destroying, Your Original Video Media
by Bill Zarchy
Different Forms of Layoff for Stages of Editing
From the Earliest Stages to that Final Output
by Daniel Gaucher
Will Local Productions Work for Indies?
Keeping an Open Mind in Terms of Co-Productions
by Stacey Parks
Filmmakers Networking Community
This Month’s Featured Networkers
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