By David Appleby Audiences are generally more tolerant of poor images than of poor sound. Students working on location often have problems with the audio but don’t take the time to improve it in post. If you read the credits of a feature film, you’ll notice the number of people involved in creating the soundtrack...
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No Limitations: The Screenwriter as Writer
No Limitations: The Screenwriter as Writer by Michael Halperin One of the myths of the motion picture industry silently states that screenwriters only write for... ...
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Taking Storytelling to New Heights: A Big Thanks to Tony Westman CSC, DGA, DGC and All Who Joined Us
A diverse tapestry of filmmakers, storytellers, and artists – ranging from students who are at the threshold of their creative journeys to the stalwarts of... ...
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