“Love the Look: And Leave Your Spot Meter at Home” by Thomas Ackerman, ASC
I received an e-mail query from a University of Colorado cinema student approaching his first interior shoot with 16mm Kodak […]
I received an e-mail query from a University of Colorado cinema student approaching his first interior shoot with 16mm Kodak […]
Over the years I’ve answered many questions from students regarding lighting. One thing I want to emphasize is that what
Notes on Camera Movement When to Move the Camera and Why by M. David Mullen, ASC Motivation is not
You’ve called the actors on the set to rehearse. The crew eagerly awaits a camera set-up, and the writer is
Many times when mixing a project I’m confronted with a classic problem. The location audio does not match the studio audio. One famous
Most articles that deal with production sound recording for video and film tend to cover microphones and recording/mixing techniques. I
One of the great pleasures of moviemaking comes when the raw footage has finally been edited enough that you can
As most people know, the stylistic trend in cinematography over the century has been towards greater realism, which has been
Examining the Color Palette of Film: The Impact of Color and Its Use by Cinematographers by Jacqueline Frost The
Sound Designing & How To Think About Sound Four-Step Strategy by Mark Kerins “Sound designer” first came to prominence as
Deliver a Strong Audio Mix for Your Documentary A Layered Approach by Bryant Falk There are many types of movies
You have just gotten your first big film to shoot. This is an exciting time. You want it to be