Planning a Shoot: My Way of Storyboarding
By Marco Schleicher, MA I really like the process of storyboarding. It gives me a clear vision of what I […]
By Marco Schleicher, MA I really like the process of storyboarding. It gives me a clear vision of what I […]
In this Community Spotlight, Maura Nicolăiță is joined by Roy H. Wagner ASC, a 40-year veteran, two-time Emmy-winning cinematographer, and
By Loren-Paul Caplin Replicating normal, everyday conversation is not what makes strong scripted dialogue. Real conversations are typically boring, off-point,
By Justin Matley You’ve edited your audio to precision. You’ve EQ’d it to meticulous consistency. Now what? When it
By David Landau The biggest challenge for any production is usually time. Can the crew get all the shots needed
… Or At Least Avoiding Bad Ones by Mark Kerins At one point or another, we’ve all been to a
Production Boards and Scheduling by Myrl Schreibman Presidents Day 2008 found me in a box at the Santa Anita
Written by Christina Hamlett Years ago, I interviewed a prominent producer and asked him whether he thought a film school
Written by Eddie Tapp Take composition for instance, the one thing that will make a scene easy to look at
Written by William Donaruma What do you do when you write an original musical production, cast it, rehearse it,
Student Filmmakers Magazine spots Tony Halliwell and his music posts in the StudentFilmmakers.com online community network. Since online interaction in
“Unforgotten” Gold Medal, 48th Student Academy Awards, Animation category Q&A with Sujin Kim Sujin Kim is a visual artist, filmmaker,