What Is Digital Cinema?
By Simon Walker What counts as digital cinema? Simon Walker compares definitions from exhibitors, the DCI, SMPTE and manufacturers, and
Distribution articles for independent filmmakers: festival strategy, self-distribution, streaming platforms, theatrical screenings and four-walling, sales agents and marketing. Learn how filmmakers get their work seen by audiences once the film is finished.
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By Simon Walker What counts as digital cinema? Simon Walker compares definitions from exhibitors, the DCI, SMPTE and manufacturers, and
By Stacey Parks How is your revenue calculated in a traditional DVD distribution deal? Distribution expert Stacey Parks explains the
By David Kaminski You need the right festivals, not all of them. David Kaminski explains how to choose festivals, budget
By Phil Hall The festival circuit can drain your emotions and budget if you don’t plan. Phil Hall shares a
By Sky Crompton Back from summer break, every filmmaker asks how to reach an audience. Sky Crompton shares do’s and
By Stacey Parks Raising enough money for a professional cast and format pays off. Stacey Parks explains two major ways
By Mark Steven Bosko A marketing hook is what makes an audience want to see your film. Mark Steven Bosko
By Jerome Courshon Many filmmakers expect to win the Sundance lottery and skip learning distribution. Jerome Courshon explains three landmines
By Stacey Parks Foreign distribution works differently from domestic deals. Stacey Parks explains sales agents, territories and markets so your
By Ben Williams Your movie is done. Now what? Ben Williams explains how independent filmmakers can promote and distribute their
By David K. Irving “Revolution is not a onetime event.” David K. Irving looks at film versus digital and how
With the internet opening up new avenues for sharing indie movies, it is a different world for the indie filmmaker
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