Passion and Your Story
By Michelle Danner My desire to tell stories on film started a couple of decades ago, and whereas an […]
Co-Writing with the Director
By Steven Joshua Morrison 26 and a half drafts. 3 months of work. And one hell of a discouraging time.
How To Be A Female Filmmaker
DIRECTING TIPS How To Be A Female Filmmaker By Rachel Feldman There are many filmmakers who do not want their
Room Tone vs Background Tracks
By Fred Ginsburg, CAS, Ph.D. Everyone who has ever taken a film class has heard about the importance of
Announcing New Ampridge “MightyMic F Pack”
Make a Movie with Your SmartPhone or DSLR And Improve Your Audio The MightyMic F Pack includes the MightyMic Pro
“The Art of Breaking Down a Script is Essential for a DP” By Mark Dobrescu, CSC
By Mark Dobrescu, CSC You’ve just finished watching a great movie, and a discussion arises about the picture when the
How to Be a Good Team Player as an Actor on Smaller Projects
By Sara Sue Vallee When beginning as an actor, you will often find yourself doing independent short films and indie
Brad Meyer, MPSE Talks Foley and Sound Design
STUDENTFILMMAKERS: Can you tell us about your work as the Lead Sound Editor and Foley Editor for Disney’s “Mickey and
Pushing Boundaries and Embracing Vision: ‘SIMULACRA’ – A Journey into Experimental Filmmaking, Storytelling, and Creative Collaboration
“SIMULACRA” Gold Medal, 47th Student Academy Awards, Alternative/Experimental category A Conversation with Curry Sicong Tian, Jumai Yusuf, and Alexa Velasquez
How to Find and Work with a Composer by Alison Plante
How to Find and Work with a Composer Communicate Across the Languages of Film and Music By Alison Plante As
Sound and Image: A + B = C
A Conversation with Jan Roberts-Breslin STUDENTFILMMAKERS: What is the relationship between sound and image in motion pictures? What is important?
Overcome the Challenges of Working with Temp Scores
Overcome the Challenges of Working with Temp Scores “To Temp or Not to Temp.” Â By Oscar Jasso Temp scores (as