Audio Production Tips from Peter Dowsett
Pictured above: Peter Dowsett in Metropolis Studios, London, working with an SSL 9000 J console. STUDENTFILMMAKERS: What is the relationship
Pictured above: Peter Dowsett in Metropolis Studios, London, working with an SSL 9000 J console. STUDENTFILMMAKERS: What is the relationship
A chemist turned audio engineer and musician, Mark Sarisky has worked more than 35 years in the music industry as
A Conversation with Stephen B. Ward In addition to over 30 years as an educator in Music Technology, Stephen B.
As a busy freelance Re-Recording Mixer / Sound Designer and college educator, I get asked a lot about starting out,
Q. How does a project’s genre influence your approach to lighting? David Moxness, ASC, CSC: Regardless of genre, story comes
STUDENTFILMMAKERS: What is 3D Audio, and how is it different than Surround Sound? David Bowles: 3D audio captures the Z
“Prisoners of the Body” is a metaphorical exploration of movement itself. Music accompanies its journey into the world – along
StudentFilmmakers Magazine wants to give a special shout out and THANK YOU to the wonderful students, filmmakers, and professors of
STUDENTFILMMAKERS: Can you tell us about the development and pre-production stages? Rodrigo Chapoy: The pre-production stages were really rough and
A Report by Marco Schleicher, MA In 2017, I worked in the assistant director department of two Bollywood blockbuster films.
Di Lu is an animator who graduated from Ringling College of Art and Design in 2020. By studying the whole
Connecting the Dots Crew engagement and collaboration. By Hiro Narita, ASC More often than not, filmmakers have their beginning in