Lifecasting Primer
By Todd Debreceni Lifecasting can be dangerous if done wrong. Makeup effects artist Todd Debreceni covers the safety risks, materials
The art department creates the look of a film: production design, set design and decoration, props, costumes and color palettes. These articles explain what each role does and share practical tips for making locations and sets support the story, even on a small budget.
The Production Design Brief
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By Todd Debreceni Lifecasting can be dangerous if done wrong. Makeup effects artist Todd Debreceni covers the safety risks, materials
By Scott Essman Production designer K.K. Barrett and the team behind Spike Jonze’s Her explain how they created a warm,
AFI Conservatory faculty and alumni share advice for aspiring production designers: collaboration, research, character back story and visual storytelling. Advice
By Scott Essman Scott Essman talks with the makeup artists who transformed Tom Hanks, Halle Berry and the cast of
By Scott Essman Production designer Nathan Crowley and set decorator Gary Fettis explain how they built the practical sets of
By Scott Essman Scott Essman looks back at Creature from the Black Lagoon at 60: the Gill Man’s design, the
By Scott Essman Makeup department head Debbie Zoller explains how she recreated the period beauty makeup of 1959 to 1962
By John Hart Drawing can be learned. Storyboard artist John Hart explains how concept drawings illuminate and intensify a script’s
By Todd Debreceni Makeup effects artist Todd Debreceni shows how he turned an actress into Gertrude Stein, from life casting
By Todd Debreceni Makeup effects artist Todd Debreceni shares simple special makeup recipes, such as age stipple, that look great
By Tony White Many think computers ended the need for drawing in animation. Animator Tony White explains why traditional art
By Mark Cheng Not a handyman? Neither is Mark Cheng. He shows how he built a futuristic sci-fi set for
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