The Fake Food Cookbook: Props You Can’t Eat for Theatre, Film, and TV
by Karestin Harrison and Tamara L. Honesty The question of why create fake food instead of using real food is […]
PRODUCTION TOUGH | “The Only Easy Day was Yesterday”
By William Donaruma A production day, week, month is a marathon, not a sprint and most of us have to
Shooting In The Dark While Doing What HD Does Best
Notice how well my Cannon Vixia HF G20 handles this rave scene in a dark club. By Sherri Sheridan How
Better Shooting with a Mobile Device
Capture Intimate Moments for Your Project and Story By Bart Weiss Shooting a film with an iPhone is nothing
“Breathing Through Trees” | Limitation breeds emotional creativity on this short film shot on the Sony A7S.
By John Klein For most filmmakers, low budgets and minimalist storytelling are a way of life. Limitation breeds creativity, wearing
Important Details to Check Out Before You Choose a College
By Fred Ginsburg, CAS, Ph.D. As I write this, the Spring 2018 semester has just ended; and many of my
FILMMAKERS GLOBAL NETWORK :: Community Spotlight with Zoran Dragelj
Can you tell us about your body of work? Zoran Dragelj: As an independent filmmaker/auteur for over 20 years
Screening Your Film Independently and Film Festivals
By Peter John Ross Advances in Distribution There is something special about watching a movie in a theater setting. Most
Queen Sugar: Between Two Rights? | A look into excellent storytelling
By Neil Landau The decisions we make define who we are. Extenuating circumstances, intentional and unintentional ripple effects inform every
Technology and Life with Digital: Life After Film School
Compiled by Howard A. Phillips Technology is the physical embodiment of the solutions to needs, from earning a living to
Expanding Your Vision with Full Frame Cinematography
“Full Frame is affordable, available and exciting to use.” By Snehal Patel Full Frame Cinema camera systems like the Alexa
Hybrid Scores: The Quality of Sound, Choosing Sounds for Color, and Beyond Orchestral Instruments
by Kristen Baum I frequently compose hybrid scores for the film projects I score. In several of my scores, I