Screenwriting Tips – Focus on Plot
Don’t Depend on Your Characters Alone by Terence Brody Have you ever come across films that have very vivid and
Showing Your Work for That All-Important First-Job Interview
Break into the Animation Industry by Tony White Today the odds are always stacked against the first time job seeker
Symbols & Images for Sex, Love, and Romance
Connect Your Audience to the Rich Stream of Meaning By Pamela Jaye Smith In our multicultural, instantaneously interconnected global village,
Elicit an Organic and Believable Performance from Your Actors
The Acting is the Thing Written by Jonathan Moore I always enjoy the look on my students’ faces when
Editing Video Clips for Projection onto a Screen
The “Targeting Animation” Method Applied by Torb and Nola Jensen After graduating film school the bulk of my projects centered
As an Editor, You Can’t Just Follow the Script
Understand Your Film’s Characters by Jeff Turboff I recently edited a feature-length film entitled, The Pack, directed by Alyssa Rallo
Location Scouting Tips for Startup Filmmakers
Location Scouting Tips for Startup Filmmakers “Will it work logistically?” by Scott Spears One of the biggest factors to
How Do You Get Asked Back on the Next Project?
Attitude of Gratitude by Thomas McKenney When one is lucky enough to get his or her first job in
‘Five Minarets in New York’ Shot in Anamorphic 35mm
Jim Gucciardo Talks About the Digital Intermediate Process by Matthew J. Perlman This was the first English language film from
Want to Write a Screenplay or Make a Movie?: Read Comics!
Interview with Dennis O’Neil, Marvel Comics and DC Comics by David Kaminski Comics might help you get into film school,
Nick Kougioulis Reconstructs ‘Ciphering’ in HD
Stalking Camera Moves, Eerie Vignettes, and Green Screen StudentFilmmakers magazine speaks with Nick Kougioulis, director and editor of Ciphering, third
Directors Kyle Garrett and George Seamer Move Forward
…Just make a commitment to do something, anything, and follow it through to completion. It doesn’t matter if it’s the