Erin Sanger Talks About Her Student Film ‘Bombshell’
by Naomi Laeuchli Erin Sanger, a recent graduate from Tisch School of Visual Arts, discusses her thesis film ‘Bombshell’, which
School News
Interviews, School News
Joseph Lynn on Documentary Feat. Singer Dee Plume
by Naomi Laeuchli Joseph Lynn discusses his new documentary film featuring singer Dee Plume Joseph Lynn, who has previously discussed
Interviews, School News
Andrew Migliori Discusses ‘Donner Party: The Musical’
by Naomi Laeuchli Andrew Migliori, who has previously discussed his successful Kickstarter campaign to fund his senior film project ‘Donner
Brian Schwarz Discusses His Award-Winning Film ‘Ol’Daddy’
by Naomi Laeuchli Brian Schwarz talks about his thesis film Ol’Daddy which won Best Narrative at this year’s Student Academy
Film Business, Technology News
1,000 Visual FX Shots, Working with Crew, and The Mummy Franchise
Renown Action Director Rob Cohen Talks by Scott Essman Former wunderkind producer and executive Rob Cohen burst onto the directing
Critical Utility for Gorilla Television
Simple Suggestions for Braving the Elements by Carl Filoreto Earthquakes. Deserts. Hurricanes. Third world countries. Tornados. Remote rain forests. Television
Filmmaking – A Collaborative Art Form
The Importance of Having a Camera Operator on the Set “Choosing Your Film Crew Wisely: Key Departments and Roles,” omits
A Conversation with Roger Deakins, ASC, BSC
Camera Movement Techniques, the DI Technology, Working with Directors, and More by Jacqueline B. Frost Roger Deakins, ASC, BSC, nominated
It Pays to Be Prepared: Tape Your Magazines
Filming in a railroad yard for ‘To Live and Die in LA’. by Jack Anderson Most of the students I
Light Your Subject’s Face for the Most Flattering or Most Dramatic Effect
Build the Best Lighting Scheme for Your Subject by Saro Varjabedian Intuitively knowing where to place lights to light your
Shooting from the Hip (and the Shoulder)
<iframe src=”https://studentfilmmakers.com/advertise/show.php?z=88″ width=”300″ height=”60″ marginwidth=”0″ marginheight=”0″ hspace=”0″ vspace=”0″ frameborder=”0″ scrolling=”no”></iframe><br /><br /> Experiences and Techniques for Operating Handheld Film
Q&A with Matthew Libatique, ASC: From Indies to Blockbusters and In-Between
Award-Winning DP Discusses Lighting for Genres, Camera Movement, Color Palette and More by Jacqueline B. Frost Winning an Independent Spirit