The DP as Camera Operator: Good Idea?
by Thomas Ackerman, ASC When on-set crew photos are published, the coolest shots invariably center on the camera. No wonder.
Cameras
Retaining the Frame – Bad takes cost time and money – By William Donaruma
By William Donaruma The camera operator can be an underappreciated skill on a crew and in schools as if you
Cell Phone Cinema | An Overview | The Birth of the Mobile Phone Camera
by Karl Bardosh India is a country that produces by far the most films in the world, about a thousand
DSLR Camera Settings, Lighting, and Camera Movement: Rig and Gear used to Shoot East of Berlin
by Charlie Balch In-Camera Settings for Two 7Ds The in-camera settings closely resembled the popular “cinestyle” look in which
Kids and Animals, Oh My: Working with Child Actors and Wild Animals on the Set
by Jack Anderson You’ll be reading the script, and you will notice pretty quickly whether your film will involve
How ‘Not’ to Get Hired… And Why You Should “Never Say No.”
by Jack Anderson You’ve got a chance at a job and you’re just reading the script—maybe for the second
Filmmaking Back in the Day… And What’s Possible with Today’s Technology
By David Worth Hopefully you will never take the amazing technology that you have at your fingertips today for
NightLights: Feature Film Shot Using RED MX, Panasonic AF100, and DSLR Cameras
by William Donaruma and John Klein NightLights is an independent, Chicago-based film production, which depicts the poigniant story of
Technique and Precautions for Laying Dolly Track
Filming a Dolly Shot for a Scene of the Television Series, “Mad About You” by Jack Anderson Laying track
Cloud Mount Slingshot Vibration Isolator
Q&A with Lance Lundstrom TV/Film/Video production professional with over 20 years of international production experience; owner/creator of RigWheels LLC.
Shooting In The Dark While Doing What HD Does Best
Notice how well my Cannon Vixia HF G20 handles this rave scene in a dark club. By Sherri Sheridan How
Better Shooting with a Mobile Device
Capture Intimate Moments for Your Project and Story By Bart Weiss Shooting a film with an iPhone is nothing