Lighting the ‘Whale Room’
By Laurent Andrieux I was asked to light the Whale Room in the Oceanographic Museum of Monaco, located on the
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Five Ways to Use a Handheld Camcorder for Scene Selection
Advantages to Selecting Angles with Hand Held Camera by George Avgerakis No doubt you’ve seen film directors making their way
Shooting with Film: Long Live Celluloid
by Bryan Michael Stoller Film. The magic of celluloid! I first fell in love with film in the seventies when
Exclusive Interview with Daryn Okada, ASC
Daryn Okada, ASC has been chosen by his peers to serve a third one-year term as president of the American
Techniques for Deriving the Most Punch from Your Jib Moves
by Carl Filoreto Monotony. Drudgery. Repetition. Your production schedule calls for b-roll of, yes, yet one more building exterior or
Demystify the Bluescreen and Greenscreen Process
Try These Steps for Setting Up Simple Chroma Keying by Saro Varjabedian Embarking on a bluescreen or greenscreen shoot might
3D Perspective from Production to Presentation
Here are the basics of what I used to establish a 3D workflow from production to post to presentation. by
Shedding Light on Homegrown Flare Effects
by Ira Tiffen Ever imagine how nice it would be if you could get optical filters custom made to your
Bluescreening Tips & Tricks: 9 Bluescreen Shooting Tips
by Sherri Sheridan Bluescreen Basics Using bluescreen special FX in your film will make it stand out more if you