13 Things Bad Screenwriters Commonly Do
by Brad Schreiber Having been the director of development for TV/film director Jonathan Kaplan (Unlawful Entry, The Accused, NBC’s E.R.),
Writing for Film and TV
by Brad Schreiber Having been the director of development for TV/film director Jonathan Kaplan (Unlawful Entry, The Accused, NBC’s E.R.),
Keep It Brief by Sebastian Corbascio “If you’re going to shoot, shoot. Don’t talk.” ~Tuco, The Good, The Bad and
“The last thing I want to see at the movies is a version of my reality. I don’t want to
By Michelle Danner My desire to tell stories on film started a couple of decades ago, and whereas an
By Steven Joshua Morrison 26 and a half drafts. 3 months of work. And one hell of a discouraging time.
StudentFilmmakers.com catches up with S.J. Hermann, a member of the Filmmakers Global Network Online, to ask about his new project
(Pictured above: From the film, “Get Out”) (Pictured above: From the film, The Cabinet of Dr. Caligari) StudentFilmmakers Magazine: Why
By Fred Ginsburg, CAS, Ph.D. If you can’t film a script in the pandemic world, then film a pandemic world
Scriptapalooza TV Whether you are already an aspiring television writer or a writer interested in exploring other avenues, Scriptapalooza TV
“Early on in my TV and film production career, I was a “one-man-band”—a common phrase describing one who was doing
StudentFilmmakers Magazine: Can you share with us your thoughts on the importance for screenwriters to “prewrite” their screenplays and the
Filmmakers Global Network :: Community Spotlight with Karlina Veras Reid Dominican Writer based in London. Work and Current Projects: