Reference: StudentFilmmakers Magazine, March 2007. Casting Your Documentary: Choosing Wisely Can Strengthen Storytelling by Sheila Curran Bernard. Pages 18 –
Camera Department How to Get Your Foot in the Door 18 Key Questions You Should Ask During a Job Interview
Reference: StudentFilmmakers Magazine, February 2007. Sunrise and the Pot of Gold: Defining ‘What is Light?’ and Controlling Color for the
Reference: StudentFilmmakers Magazine, February 2007. Post Production Workflow of Reality Series, Blind Date: Career Advice & Lessons Learned from Behind
Reference: StudentFilmmakers Magazine, February 2007. Establishing a Meaningful Connection with Your Audience: Four Basic Ingredients to Season Your Screenplays by
Reference: StudentFilmmakers Magazine – Storyboarding: Directing Shots: Telling a Visual Story, Varying Shots, & Introducing Movement by Mark Simonand. Pages
Reference: StudentFilmmakers Magazine, February 2007. Mounting a DV Cam to a Motorcycle: For a Low-Angle/POV Action Shot by Brian Flees.
Reference: StudentFilmmakers Magazine, February 2007. Stereo vs. Mono Recording: And the Impact of Surround Sound by Bryant Falk Pages 34
Reference: StudentFilmmakers Magazine, February 2007. New Filmmaker Ruben Obregon on La Primavera: Texan Filmmaker Utilizes His Experiences in the Navy
Tiffen The Creative Catalyst: An Unassuming Maverick Who Quietly Reinvented Industry Standards by Ira Tiffen While many know his name,
Reference: StudentFilmmakers Magazine, February 2007. Digital Intermediate: The Wave of the Present: A Quantum Leap in Creative Control Over the
Reference: StudentFilmmakers Magazine, February 2007. Shooting Effective B-Roll for Documentaries: How to Shoot Coverage & MEM B-Roll and the Advantages
