Reference: StudentFilmmakers Magazine, April 2008. The Digital Stereoscopic Renaissance: Moving from the Artistic Ghettos to the Center Spotlight of Hollywood

Reference: StudentFilmmakers Magazine, April 2008. A Quick, Mini Guide to Running Efficient, Effortless Auditions: 9 To-Do’s Before the Audition by

Reference: StudentFilmmakers Magazine, April 2008. Bottle Shock: Independent Spirit in Full Bloom by Mary Ann Skweres. Pages 26 – 31.

Developing the Common Language between a Director and DP Collaboration is Key   by Adam Matalon I think that the

Reference: StudentFilmmakers Magazine, April 2008. A Conversation with Cinematographer John Seale: ASC Format and Digital Technologies by Jacqueline B. Frost.

Reference: StudentFilmmakers Magazine, April 2008. Involving your Gaffer by Frank DiPaola. Pages 19. When trying to achieve a special look,

Reference: StudentFilmmakers Magazine, April 2008. Lighting Period War Film, Shades of Hope: Separating Worlds through Color by Kevin Zanit. Pages

  It happens that we sometimes need to capture action that occurs at night.ampl. Long ago (in cinematic years) a

Reference: StudentFilmmakers Magazine, 2015. February 2008. Will Local Productions Work for Indies?: Keeping an Open Mind in Terms of Co-Productions

Reference: StudentFilmmakers Magazine, 2015. February 2008. Get Your Own SFX Library Up and Recording: A Quick Start Guide by Bryant

Reference: StudentFilmmakers Magazine, 2015. February 2008. RED ONE: Living Up to the Expectations? First Impressions of the Camera by Jon