Reference: StudentFilmmakers Magazine, February 2007. Stereo vs. Mono Recording: And the Impact of Surround Sound by Bryant Falk Pages 34

Reference: StudentFilmmakers Magazine, February 2007. New Filmmaker Ruben Obregon on La Primavera: Texan Filmmaker Utilizes His Experiences in the Navy

Tiffen The Creative Catalyst: An Unassuming Maverick Who Quietly Reinvented Industry Standards by Ira Tiffen While many know his name,

Reference: StudentFilmmakers Magazine, February 2007. Digital Intermediate: The Wave of the Present: A Quantum Leap in Creative Control Over the

Reference: StudentFilmmakers Magazine, February 2007. Using Documentary Techniques to Craft Stories: A Look into United 93, Bloody Sunday, The Road

Reference: StudentFilmmakers Magazine, February 2007. Motivational Imagery: Using the Story to Get the Most Captivating Shot by Saro Varjabedian. Pages

Reference: StudentFilmmakers Magazine, February 2007. Exclusive Interview with Thomas Ackerman: ASC Cinematographer for Balls of Fury. Cinematographer Thomas Ackerman, ASC

Reference: StudentFilmmakers Magazine, January 2007. Fundraising For Your First Feature: Pete Chatmon Writer/Producer/Director of Premium Breaks It Down Interview by

Reference: StudentFilmmakers Magazine, January 2007. Putting Your Best Work in Your Reel: Guidelines for Five Types of Demo Reels by

Reference: StudentFilmmakers Magazine, January 2007. Compression for the Portable Media World: Shooting for the Internet and Compressing Video by Chris

Reference: StudentFilmmakers Magazine, January 2007. Final Cut Pro Editing Power Tips: Techniques That Can Save You Time by Larry Jordan.