Brad Meyer, MPSE Talks Foley and Sound Design
STUDENTFILMMAKERS: Can you tell us about your work as the Lead Sound Editor and Foley Editor for Disney’s “Mickey and
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How to Find and Work with a Composer by Alison Plante
How to Find and Work with a Composer Communicate Across the Languages of Film and Music By Alison Plante As
Sound and Image: A + B = C
A Conversation with Jan Roberts-Breslin STUDENTFILMMAKERS: What is the relationship between sound and image in motion pictures? What is important?
Overcome the Challenges of Working with Temp Scores
Overcome the Challenges of Working with Temp Scores “To Temp or Not to Temp.” By Oscar Jasso Temp scores (as
Audio Production Tips from Peter Dowsett
Pictured above: Peter Dowsett in Metropolis Studios, London, working with an SSL 9000 J console. STUDENTFILMMAKERS: What is the relationship
Mark Sarisky Shares Audio Tips for Student Film Directors
A chemist turned audio engineer and musician, Mark Sarisky has worked more than 35 years in the music industry as
Music in Film: What is Important?
A Conversation with Stephen B. Ward In addition to over 30 years as an educator in Music Technology, Stephen B.
“Networking in Quarantimes” by Justin Matley
As a busy freelance Re-Recording Mixer / Sound Designer and college educator, I get asked a lot about starting out,
David Bowles Discussed 3D Audio and Shares Audio Tips for Students
STUDENTFILMMAKERS: What is 3D Audio, and how is it different than Surround Sound? David Bowles: 3D audio captures the Z
2020 Student Academy Award Finalist, Rodrigo Chapoy, on Animation Short Film, “Bear With Me”
STUDENTFILMMAKERS: Can you tell us about the development and pre-production stages? Rodrigo Chapoy: The pre-production stages were really rough and
How To Podcast During Covid Times
By Bart Weiss Because of the current COVID-19 situation, shooting video is much more difficult than it has ever been.
For Composers Only: Breaking In
By Kristen Baum There’s this joke in New York City in which someone asks a local, “How do I get