Using your recording tracks strategically: a multi-track workflow for location sound recording
By Fred Ginsburg CAS PhD Today’s sound mixer or videographer has a choice of recording location audio to one
Audio News
By Fred Ginsburg CAS PhD Today’s sound mixer or videographer has a choice of recording location audio to one
by Kristen Baum I frequently compose hybrid scores for the film projects I score. In several of my scores, I
By Kristen Baum Commonly referred to as source music, diegetic music requires particular methods of preparation and on-set protocol. It
By Bryant Falk We all assume more microphones on a project can only mean better sound. Well, that is true
Recordist vs. Sound Mixer By Fred Ginsburg CAS PhD Let me begin by asking, “Do you consider yourself a RECORDIST
Written by By Steve Myers In the beginning… there was pre-production. Scoring music to picture has changed radically over the
Azden’s latest offering, the PRO-XR, is a 2.4 GHz wireless lavalier microphone system that’s designed to deliver trouble-free audio to
From the Filmmakers Network Online | Posted by Eric Hausmann Join the Filmmakers Network Online – Post Your Reel
Many times when mixing a project I’m confronted with a classic problem. The location audio does not match the studio audio. One famous
Most articles that deal with production sound recording for video and film tend to cover microphones and recording/mixing techniques. I
Sound Designing & How To Think About Sound Four-Step Strategy by Mark Kerins “Sound designer” first came to prominence as
Deliver a Strong Audio Mix for Your Documentary A Layered Approach by Bryant Falk There are many types of movies