The Impact of Digital Television on Cinema
Digital TV Renaissance By Neil Landau Today’s major movie studios are almost exclusively in the “tent pole” blockbuster event franchise
Film Business
The business side of filmmaking: budgeting, financing and crowdfunding, contracts, marketing, building a career and working as a freelancer. Producers, filmmakers and industry pros share practical advice to help you make films and make a living doing it.
THE NEUROTIC SUPERHERO
From Comic Book to Catharsis By Neil Landau Why Superheroes Are Popular There’s a historical pattern around the popularity of
Running a Film Club: Helpful Tips and Pointers
By Scott Spears Filmmaking is collaborative art and at all levels what makes that collaboration work is networking. At the
FILMMAKERS GLOBAL NETWORK :: Community Spotlight with Shane Stanley
Shane Stanley www.shanestanley.net Shane Stanley is a lifer. His career began in front of the camera at 9 months old
Observations on 10 Years of Teaching
Includes a short list of things for the cinematographers to carry in their kit. By Thomas Ackerman, ASC The
FADE IN: Make Your Movie
By David Worth, MA On today’s seemingly endless 24/7 social media, there’s an overabundance of information about the art and
FILMMAKERS GLOBAL NETWORK :: Community Spotlight with Daniel Denk
Daniel Denk Czech Republic Can you tell us about your body of work? I am a music composer from Prague,
Composer Film Scoring Art Peterson
Current Projects I currently have 20 CDs on sale under the name Aftershock. One on sale under the name Deep
Get Your Film Made
Ideas to Start By Jared Isham Getting your film made, for many, can be packed with fear and uncertainty. The
Be Cool: How to Keep Calm When Everything Goes Wrong on Set
By Shane Stanley It seems more often than not, the pressure put on us filmmakers is self-imposed. Stress, bad attitude
Upping Your Career Opportunities in Film Production
5 Important Tips By Pamela Jaye Smith & Monty Hayes McMillan Pamela and Monty attended the University of Texas
Ed Catmull Speaks About Pixar
By Scott Essman After beginning his career as director of the Computer Graphics Lab in Long Island at the New