Knowing When to Cut and When to Let It Run
There is a term often tossed around, but many editors misunderstand a “motivated cut.” The basis of this idea stems
There is a term often tossed around, but many editors misunderstand a “motivated cut.” The basis of this idea stems
By Anthony Q. Artis Know this: If you have bad audio, you have a bad project. Why? Simple – most
Interview with Director Todd Davis Interview conducted by Taryn Bensky In Todd Davis’ award-winning short film, In the Tradition
A Conversation with Award-Winning Writer and Director Paul Auster: The Inner Life of Martin Frost Premieres at the IFC Center
By Saro Varjabedian Recently I worked on a project which required aerial photography. The opening shot of the scene calls
By Ira Tiffen Gliding. Up, up and awaaaaay! Exhilarating as it is, only the camera gets to really go along
A lot of work I perform for clients hinges on the ability to create interview looks that are appealing to
In the world of music videos cinematographers are often faced with very limited budgets and even more limited time to
By Michael Wiese Most students of film, whether they are in a film school or not, fail to consider the business
By George Avgerakis One of the best competitive advantages a video production company can offer a client is the advantage
By Glen Tickle Producing a feature length movie on your own is an intimidating idea. Assembling a cast, finding equipment, getting
By Paul Ewen What does editing really mean? What does it mean to edit? Is it something that stems from within,
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