Cinematographer Larry Fong, ASC talks about what first drew him to photography, making films as a student and how he creates memorable images.
What first interested you about photography and cinematography?
Larry Fong, ASC: Going to the movies always conjures a sense of wonder. As a youth I borrowed my dad’s cameras to try and create my own projects. There’s something magical about being able to capture a time and place on film. As a student I took any opportunity I could to incorporate short films into my school assignments. It was a crazy dream to one day work in the film business and I couldn’t be happier that it’s actually happened.
How would you define the role of the cinematographer?
Larry Fong, ASC: Simply put, the cinematographer’s role is to capture the story of the project through the lens. To be truly great, one would also create memorable images, and be able to fulfill the vision of the director.
Can you describe your usual routine when shooting? What are you thinking about?
Larry Fong, ASC: Half of the effort is trying to make the images look good; half of it is trying to stay on schedule and being prepared for the next thing. They say cinematography is part art, part craft, and I would have to agree.
You’ve worked on a couple of films that have used CGI. What is that like to work with as a photographer?
Larry Fong, ASC: CG is fun and I always work closely with the VFX supervisor so that it all works in the end. The process is much harder for him and his army of artists who labor long after the shoot is over.
Do you have a favorite camera, or one you would like to work with in the future?
Larry Fong, ASC: I prefer to shoot film and Panavision is my camera of choice. The Alexa is a great digital camera. It’s important to remember though, ideas are always more important than equipment. In film school we didn’t have the fanciest equipment, yet I did some really cool things that I’m still proud of.
Looking back over your career, is there a shot you would say is your favorite or one that you’re particularly proud of?
Larry Fong, ASC: In “Super 8”, there’s a shot where we first meet Alice (Elle Fanning). She’s driving a car at night, rounds a corner, and is revealed in a closeup as the kids open the door and the interior light comes on.
The tricky part was not only hiding battery-powered lights and a guy to trigger them on cue, but since Elle was too young, a hidden stunt driver using a video camera for guidance had to do the driving and hit the mark. All that for a ten second shot!
What are three tips you would offer for budding photographers and filmmakers?
Larry Fong, ASC: Like sports, it’s not enough to be a fan and to watch. You have to PLAY. The important thing is to just shoot. Even if it’s not a masterpiece, you learn every time you make another project, no matter how short or simple. You don’t need the latest camera or lights. Everyone has a computer which means editing is no problem either. Just do it.
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