Clearing Music for Your Film: Library Music vs. Original Scores
by Steven Ascher Maybe you’ve had this experience: You know a song that would be perfect for your movie. You
Every StudentFilmmakers article in one place: 1,739 interviews, how-tos and features with ASC cinematographers, award-winning directors and the next generation of filmmakers, including 20 years of StudentFilmmakers Magazine. Newest first.
by Steven Ascher Maybe you’ve had this experience: You know a song that would be perfect for your movie. You
by Jeff Turboff How many times have you finished your sequence, eager to make that output for the director to
Payroll and Production Accounting For the independent filmmaker, there are many financial production issues to deal with; much more than
Interview conducted by Jody Michelle Solis StudentFilmmakers Magazine interviews Telly and multi-award winning Director of Photography Tom Robotham, who
Interview conducted by Jody Michelle Solis Top 3 Things Investors Want to See Vartorella Tips: Top 3 Things Investors
Written by Jonathan Moore I remember what they tell me about Tamara. And it isn’t good. I’m preparing to shoot
by Scott Spears I talk with a lot of young filmmakers who are just starting out in the business
by Ric Viers Three Ways to Cut Sound Effects for Your Production: (1.) Use the sound effects recorded on
by Richard La Motte I’ve spent forty years in the film business, worked on many films and TV shows
by Charlie Balch In-Camera Settings for Two 7Ds The in-camera settings closely resembled the popular “cinestyle” look in which
by Richard La Motte Making a film has never been easier. With all the advances in digital cameras and
by John Manchester Music libraries, more accurately described as production music libraries, supply music for productions. Why do you
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