Sales and Distribution Trends to Know Before You Make Your Movie
By Adam Matalon With the heady but stressful production behind you, the first-time indie feature filmmaker will often start to
Every StudentFilmmakers article in one place: 1,737 interviews, how-tos and features with ASC cinematographers, award-winning directors and the next generation of filmmakers, including 20 years of StudentFilmmakers Magazine. Newest first.
By Adam Matalon With the heady but stressful production behind you, the first-time indie feature filmmaker will often start to
Creating Prosthetic Appliances with Gelatin: Recipe for a Foaming Gelatin by Todd Debreceni. Pages 44, 48, 50. What Gelatin Is
Adapting Audio Production for the Internet Age: Mixing for Clarity, Loudness, and Relevance A Comprehensive Guide to Fine-Tuning Audio Content
A Brief History Originally, the term “lavalier” referred only to the “neck-worn” or “body-worn” class of small microphones. These days,
By Dana Dorrity Although Kodak has stated definitively that they are committed to continuing to make motion picture film –
By Vanessa Daniels There is more luck involved when auditioning for a commercial than any other type of audition. Unlike
By Jacqueline B. Frost Rodrigo Prieto, ASC, AMC wins Best Cinematography at the 64th Venice Film Festival for “Lust, Caution”
By Carl Filoreto Control. It’s the reason producers and DP’s like to scurry inside to a well-appointed hotel suite when
Clearing the Haze about Fog Filters: When Atmosphere is the Effect by Ira Tiffen White. Impenetrable. Fog. Atmosphere we can
By Jeff Bellune Peer deeper into the text of this how-to and realize that one of its major implications is
There is a term often tossed around, but many editors misunderstand a “motivated cut.” The basis of this idea stems
By Anthony Q. Artis Know this: If you have bad audio, you have a bad project. Why? Simple – most
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