Location Sound Insights with Michael Tierno
StudentFilmmakers Magazine: What was one of the most important things you learned on set in regard to location sound? Michael
Darius Dawson on Directing Award-Winning Thesis Short, A RODEO FILM
StudentFilmmakers Magazine: What are some discussion topics you’d love to see people have after they watch, “A Rodeo Film”? Darius
Paul Wheeler, BSC Talks High Definition
StudentFilmmakers Magazine: What changes in HD have you seen over the years? Paul Wheeler, BSC: The most significant change was
Jing Ai Ng on Directing Award-Winning Student Thesis Film, FLECK
Raised between Malaysia and Miami, Jing Ai Ng is a writer-director currently based in Los Angeles. In 2019, she was
Shooting for TV/Film: Q&A with Paige Thomas, SOC
StudentFilmmakers Magazine: What was one of your most favorite scenes to shoot and why? Paige Thomas, SOC: One of my
Shooting Action Sports with Todd Grossman
Pictured above: Shooting Arri Alexa Mini with Ultra Wide – Glendale skatepark. Photo: @thinkmillergroup. What technologies have driven change in
Prewriting Your Screenplay with Michael Tabb
StudentFilmmakers Magazine: Can you share with us your thoughts on the importance for screenwriters to “prewrite” their screenplays and the
Camera Operator Tips from Gustavo Mercado
StudentFilmmakers Magazine: What was one of the most important things you learned while working on set? Gustavo Mercado: The most
Documentary Filmmaking: Directing Insights with Michael Rabiger
StudentFilmmakers Magazine: What are the most important skills a documentary filmmaker must possess? Michael Rabiger: The ability to: Reject stereotyped
Screen Combat with Fight Choreographer Kevin Inouye
StudentFilmmakers Magazine: Can you describe a day in the life of a fight choreographer? What does that entail? Kevin Inouye:
Television Development with Bob Levy
(Pictured above: Bob Levy with film director Sean Anders.) StudentFilmmakers Magazine: Can you share with us some of your
Aesthetic 3D Lighting with Lee Lanier
STUDENTFILMMAKERS: What changes have you seen in the computer animation and VFX industry over the years? Lee Lanier: When I