Critical Utility for Gorilla Television
Simple Suggestions for Braving the Elements by Carl Filoreto Earthquakes. Deserts. Hurricanes. Third world countries. Tornados. Remote rain forests. Television […]
Filmmaking – A Collaborative Art Form
The Importance of Having a Camera Operator on the Set “Choosing Your Film Crew Wisely: Key Departments and Roles,” omits
A Conversation with Roger Deakins, ASC, BSC
Camera Movement Techniques, the DI Technology, Working with Directors, and More by Jacqueline B. Frost Roger Deakins, ASC, BSC, nominated
It Pays to Be Prepared: Tape Your Magazines
Filming in a railroad yard for ‘To Live and Die in LA’. by Jack Anderson Most of the students I
Light Your Subject’s Face for the Most Flattering or Most Dramatic Effect
Build the Best Lighting Scheme for Your Subject by Saro Varjabedian Intuitively knowing where to place lights to light your
Shooting from the Hip (and the Shoulder)
<iframe src=”https://studentfilmmakers.com/advertise/show.php?z=88″ width=”300″ height=”60″ marginwidth=”0″ marginheight=”0″ hspace=”0″ vspace=”0″ frameborder=”0″ scrolling=”no”></iframe><br /><br /> Experiences and Techniques for Operating Handheld Film
Q&A with Matthew Libatique, ASC: From Indies to Blockbusters and In-Between
Award-Winning DP Discusses Lighting for Genres, Camera Movement, Color Palette and More by Jacqueline B. Frost Winning an Independent Spirit
Manipulate Mood with Filter Effects
How to Evoke Ethereal Solitude with Double Fog Filters by Ira Tiffen Peace. Quiet. Solitude. And a sense of the
Technology News
On Set Effects Supervision: A Case Study
Working with Greenscreen by Mark Sawicki Many of my students like to hear the war stories of actual productions from
10 Tips for Top Notch Podcasting
Getting Content Creation Savvy with the New Medium for the New Year by Chris Cavallari Podcasting is a medium that
Cooking With Audio: Tricks for Getting a Cleaner Audio Track
by Bryant Falk Good food and how to cook it has constantly been something audiences across the globe have been
Editing Narnia’s ‘Prince Caspian’
For the Cinema Editor by Scott Essman When Andrew Adamson surmised that he would not direct the sequel to 2005’s