Reference: StudentFilmmakers Magazine, August 2007. From Standard Definition to High Definition: Making the Transition by Jon Firestone. Pages 6. 8

Reference: StudentFilmmakers Magazine, July 2007. Cinema and “Reality”: The Importance of Emotional Truth Breaking Down a Story to Its Moral

Reference: StudentFilmmakers Magazine, July 2007. Keeping Handheld Camera Shots Steady: A Shaky Horizon by Chris Cavallari. Pages 46 – 47.

Reference: StudentFilmmakers Magazine, July 2007. Shooting Abroad in Tanzania: A Remote Journey by Carl Filoreto. Pages 42 – 45. Even

Reference: StudentFilmmakers Magazine, July 2007. Creating Make-Up Effects for The Enemy God: Achieving FX make-up believably and realistically for a

Reference: StudentFilmmakers Magazine, May 2007. Audio Mixing Tips for Editors: Five Pointers – from Frequency Mapping to Splits by Bryant

Reference: StudentFilmmakers Magazine, May 2007. Working with Music for Your Film: How music is used, types of rights, working with

Reference: StudentFilmmakers Magazine, May 2007. Using Transitions: The Dissolve and the Cut by Lew Schatzer. Pages 28. Many editors will

Reference: StudentFilmmakers Magazine, May 2007. Shooting and Editing Aloha New York: Carolina Cruz Santiago Rides the Wave of Success (and

Reference: StudentFilmmakers Magazine Cannes Film Festival is approaching, filmmakers are getting their films ready to go sell there, and I’ve