Coverage: Telling the Story with the Camera
By Peter Kiwitt Coverage is the closer shots that focus on different parts of a scene. Peter Kiwitt explains how
The Cinematography category on StudentFilmmakers.com examines the theory and practice of visual storytelling through motion-picture photography. Drawing on essays, technical analyses, and interviews with award-winning cinematographers, including members of the American Society of Cinematographers (ASC), British Society of Cinematographers (BSC), and Canadian Society of Cinematographers (CSC), the category emphasizes how aesthetic decisions emerge from narrative, logistical, and technological constraints.
By Peter Kiwitt Coverage is the closer shots that focus on different parts of a scene. Peter Kiwitt explains how
Cinematographer Stephen Goldblatt, ASC, BSC recalls starting as a stills photographer in London and why the camera should be an
By Camille Haimet Cinematographer Rasmus Videbæk explains how he researched 18th-century Denmark and used period paintings to shape the look
DP and co-producer Radium Cheung talks about working with Sean Baker on Starlet, shooting on the Sony F3 and finding
By Peter Kiwitt Movies and series now often shoot with two cameras. Peter Kiwitt explains the benefits and trade-offs of
By Camille Haimet Cinematographer Benoît Debie talks about choosing projects, experimenting with light and camera for directors like Gaspar Noé,
By David Lent and Patrick Reis Two working shooters share quick, practical tips: cameraman David Lent on handheld camerawork, and
By William Donaruma William Donaruma explains why his film program moved from Super 16mm to digital cinema, from Skyfall and
By David Lent Drawing on George Leonard’s ideas about mastery, cameraman David Lent explains five keys to mastering a craft
By Carl Filoreto Cameraman Carl Filoreto explains how he shot vertical-format video for a permanent exhibit on large screens, and
By Jody Michelle Solis Cinematographer Oliver Curtis, BSC, who shot Death at a Funeral, talks about camera moves, lighting and
By Jon Firestone Still photographers began shooting magazine covers with the RED camera. Jon Firestone explains how still and motion
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