10 Must Know Tips for Getting Staffed
By Neil Landau In Hollywood, where episodic TV production budgets tend to be most substantial, showrunners will hire a staff […]
By Neil Landau In Hollywood, where episodic TV production budgets tend to be most substantial, showrunners will hire a staff […]
By David Appleby Audiences are generally more tolerant of poor images than of poor sound. Students working on location often
Pictured above: Filmmakers and festival managers drop by the Student Filmmakers Magazine exhibit booth at the NAB New York Show
By JC Cummings We’ve always enjoyed productions with fun-loving puppet characters. Puppeteering is an art and one of the first
By Amy DeLouise, Producer/Director Film festivals and industry events are back in person! Can we remember how to do this?
By Shane Stanley It’s that time of year to brush the sand off your feet, let your suntans fade and
Simplicity and Magic in Filmmaking By Michael Goi, ASC, ISC I’ve always been fascinated with magic. From the time I
By Neal Bell In traditional horror movies, there’s a fairly simple formula: ‘normality’ is threated by the monstrous (from bug-eyed
By Marco Schleicher, MA I really like the process of storyboarding. It gives me a clear vision of what I
By Loren-Paul Caplin Replicating normal, everyday conversation is not what makes strong scripted dialogue. Real conversations are typically boring, off-point,
By Justin Matley You’ve edited your audio to precision. You’ve EQ’d it to meticulous consistency. Now what? When it
By David Landau The biggest challenge for any production is usually time. Can the crew get all the shots needed