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Lighting
‘Quick Change’ Lighting: Includes 9 Tips for the Time-Saving Technique by Paolo Dy
In the cinematographer’s ideal world, we would get every piece of equipment we asked for, and production managers would give
“Lighting for Film: Keep It Simple” by Michael Corbett
To improve your tennis game, play with better tennis players. I am not sure where I first heard this, but
“There Is No Such Thing As Video Lighting” by M. David Mullen, ASC
Pictured above: Kate Bosworth in “90 Minutes in Heaven”. There is no such thing as video lighting, nor DV lighting,
Conversation with Peter Stein, ASC
Exclusive interview conducted Nash Choudhury Peter Stein, ASC has been shooting films in one way or another for over thirty
Exclusive Interview | A Conversation with Uta Briesewitz, ASC: Episodics and Features
STUDENTFILMMAKERS: Your career as a cinematographer includes a wonderfully diverse body of work. What are some of the differences
Exclusive Interview | A Conversation with Hiro Narita, ASC
Hiro Narita, ASC has a filmography that includes over seventy-three titles ranging from feature films to episodic television series
Book Reviews | “Lighting for Cinematography: A Practical Guide to the Art and Craft of Lighting for the Moving Image”
New Book on Lighting Written by David Landau While there are some great books with interviews of big time cinematographers
“Can LED Replace Traditional Fresnels?” By Sherwin Lau
At our film school, the Creative Media Institute for Film and Digital Arts, traditional tungsten Fresnel fixtures have been the
CINEMATOGRAPHY | “Lights and Cameras Changing Our World” By Dean Goldberg
CINEMATOGRAPHY Lights and Cameras Changing Our World By Dean Goldberg I’ve been a full-time academic now for a dozen years—and
LIGHTING | “Is There Light at the End of the Tunnel?” By William Donaruma
“Is There Light at the End of the Tunnel?” Now Let’s Think Outside the Box By William Donaruma It
StudentFilmmakers Magazine | Exclusive Interview with Hiro Narita, ASC
Hiro Narita, ASC “When I started as a cameraman, I did every project that came along my way, horror and