Technology and Life with Digital: Life After Film School
Compiled by Howard A. Phillips Technology is the physical embodiment of the solutions to needs, from earning a living to
Articles Page 107
Every StudentFilmmakers article in one place: 1,739 interviews, how-tos and features with ASC cinematographers, award-winning directors and the next generation of filmmakers, including 20 years of StudentFilmmakers Magazine. Newest first.
Expanding Your Vision with Full Frame Cinematography
“Full Frame is affordable, available and exciting to use.” By Snehal Patel Full Frame Cinema Cameras Full Frame Cinema camera
Hybrid Scores: Choosing Sounds Beyond the Orchestra
by Kristen Baum I frequently compose hybrid scores for the film projects I score. In several of my scores, I
Flexibility in a Commercial Shoot
By Nancy Rauch Yachnes As commercial photographers, we were tasked with helping to launch Hudson Grey, a new line of
The Impact of Digital Television on Cinema
Digital TV Renaissance By Neil Landau Today’s major movie studios are almost exclusively in the “tent pole” blockbuster event franchise
PRE-VIZ: Storyboarding is more important than ever in the digital age.
By John Hart What Top Directors Say Just ask any frontline director these days – like Spielberg, Scorsese, or Cameron, “Do you
How to Get Professional Control Filming Mobile Media
Get the help of an app for capturing professional video footage on your cellphone or mobile device. By Bart Weiss
THE NEUROTIC SUPERHERO
From Comic Book to Catharsis By Neil Landau Why Superheroes Are Popular There’s a historical pattern around the popularity of
Running a Film Club: Helpful Tips and Pointers
By Scott Spears Filmmaking is collaborative art and at all levels what makes that collaboration work is networking. At the
FILMMAKERS GLOBAL NETWORK :: Community Spotlight with Shane Stanley
Shane Stanley www.shanestanley.net Shane Stanley is a lifer. His career began in front of the camera at 9 months old
Observations on 10 Years of Teaching
Includes a short list of things for the cinematographers to carry in their kit. By Thomas Ackerman, ASC The
THE MOVIE THAT EVERY FILM STUDENT HAS TO SEE!
by John Hart WHAT FILM IS THAT? It’s AN AMERICAN IN PARIS. MGM,1951. Starring Gene Kelly and directed by Vincente Minnelli,   Â