The Ins and Outs of Short Ends
by Scott Spears So you’ve scraped together a few extra dollars to shoot film, but you’re still a bit
The Cinematography category on StudentFilmmakers.com examines the theory and practice of visual storytelling through motion-picture photography. Drawing on essays, technical analyses, and interviews with award-winning cinematographers, including members of the American Society of Cinematographers (ASC), British Society of Cinematographers (BSC), and Canadian Society of Cinematographers (CSC), the category emphasizes how aesthetic decisions emerge from narrative, logistical, and technological constraints.
by Scott Spears So you’ve scraped together a few extra dollars to shoot film, but you’re still a bit
By David Worth Don’t Take Today’s Technology for Granted Hopefully you will never take the amazing technology that you
by William Donaruma and John Klein About NightLights NightLights is an independent, Chicago-based film production, which depicts the poignant
Filming a Dolly Shot for a Scene of the Television Series, “Mad About You” by Jack Anderson Laying Track
by S.D. Katz Now that MiniDV and HDV make shooting and dropping the footage into a timeline a very simple
by M. David Mullen, ASC A “digital intermediate” has become the trendy must-have thing for filmmakers, so much so that
By Thomas McKenney At a recent lighting seminar in Hollywood co-hosted by American Society of Cinematographers (ASC) and the Digital
by Saro Varjabedian A DP’s main function is to coordinate all the elements necessary to capture an image that aesthetically
#FlashbackFriday #FBF Do you remember our exclusive interview with Bing Rao? Interview conducted by Larry Jaffee New York-based Chinese
Q&A with Lance Lundstrom TV/Film/Video production professional with over 20 years of international production experience; owner/creator of RigWheels LLC.
Notice how well my Cannon Vixia HF G20 handles this rave scene in a dark club. By Sherri Sheridan What
Capture Intimate Moments for Your Project and Story By Bart Weiss Shooting a film with an iPhone is nothing
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