The New Medium in Capturing Sound: Transfer, Storage and Backup
By Bryant Falk With hard drives and flash storage, tape is done. Sound designer Bryant Falk explains how to transfer,
Sound production articles: recording dialogue on set, microphone placement, wireless systems, recorders and working as a production sound mixer or boom operator.
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By Bryant Falk With hard drives and flash storage, tape is done. Sound designer Bryant Falk explains how to transfer,
By Fred Ginsburg, C.A.S., Ph.D., MBKS Fred Ginsburg, CAS explains how to use a field mixing panel for location dialogue:
By Fred Ginsburg, C.A.S., Ph.D., MBKS What are a production mixer’s goals on set? Fred Ginsburg, CAS explains the priorities
By Fred Ginsburg, C.A.S., Ph.D., MBKS Production sound is now often recorded with SMPTE timecode. Fred Ginsburg, CAS explains how
By Bryant Falk Nothing fails like a wireless mic. Bryant Falk shares essential tips for prepping wireless microphones and fixing
By Bryant Falk A portable audio edit station lets a director hear and process sound on location. Bryant Falk explains
By Bryant Falk When recording location sound, four tracks give you room to capture what you need. Bryant Falk explains
By Bryant Falk Is hard drive recording the answer for location sound? Bryant Falk weighs the pros and cons of
By Bryant Falk Sound designer Bryant Falk explains how audio was recorded for the MTV reality series The Shop: wireless
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