Crane: Yay or Nay? How a Crane Adds to, or Takes Away from, Story
By Patrick Moreau Using a jib because it looks cool? Patrick Moreau explains how a crane can add to, or
By Patrick Moreau Using a jib because it looks cool? Patrick Moreau explains how a crane can add to, or
By Lew Schatzer What is the best HD format for your project, and which editing software handles it? Lew Schatzer
By Brian Flees Want exciting action shots? Brian Flees explains car mounts, hostess trays, suction cups and safety rules for
By Daniel Gaucher Broadcasters and schools faced the biggest technical change since television began. Daniel Gaucher explains the steps toward
By Jody Michelle Solis Cooke Optics’ /i technology records focus, iris and zoom data from the lens. Here is how
By Bruce F. Kawin Film scholar Bruce F. Kawin weighs the artistic strengths and weaknesses of high-end HD cameras against
By Chris Cavallari Chris Cavallari walks through the steps for shooting 24p on the Panasonic DVX100A and capturing and editing
By Brian Melton Cinematographer Brian Melton shares four tips for shooting HD: exposure, lighting, camera settings and lenses, so your
By Dana Weidman Dorrity Lens adapters from Redrock Micro and Letus put 35mm still lenses on HD and HDV cameras
By David Lent Camera composition starts with how viewers see. David Lent explains framing, movement, zooming and storytelling rules every
By Jon Firestone A camera jib adds production value fast. DP Jon Firestone explains how to set up, balance and
By Todd Grossman “The best camera in the world is the one you have with you.” Todd Grossman asks whether
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