First, Beg for Two Cameras: A Film Student’s Start in Stereo 3D
By Hali Gardella Proper stereographic cinematography on a budget isn’t easy. Hali Gardella explains where film students should start when
By Hali Gardella Proper stereographic cinematography on a budget isn’t easy. Hali Gardella explains where film students should start when
By David Worth Why did HD cameras and DSLRs become game changers? Cinematographer David Worth explains the new visual techniques
By Thomas McKenney Thomas McKenney explains how the shutter works in video cameras and how shutter speed settings change motion
By William Donaruma Film professor William Donaruma explains why his program looked at the RED camera, what he learned from
By Dave Lent From a Super 8 camera to Marshall McLuhan, Dave Lent explains how to think about shooting: why
By Gregory Singer Love the look of 35mm but have limited resources? Gregory Singer shows how to get shallow depth
By Saro Varjabedian What medium best serves the story? Saro Varjabedian explains why he chose the Canon 7D for a
By David E. Elkins, SOC Every assistant camera person needs the right tools. David E. Elkins, SOC lists the must-have
By Leonard Guercio So many HD options can freeze a filmmaker. Leonard Guercio explains how to choose the production and
By Leonard Guercio Digital cinema is here, yet film remains the first choice for many. Leonard Guercio explains what shooting
By David E. Elkins First and second assistant cameraman are key jobs in the camera department. David E. Elkins shares
By Leonard Guercio HDV brought affordable high definition to independent filmmakers. Leonard Guercio lists the 10 pros and 8 cons
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