“Can LED Replace Traditional Fresnels?” By Sherwin Lau
At our film school, the Creative Media Institute for Film and Digital Arts, traditional tungsten Fresnel fixtures have been the […]
The Cinematography category on StudentFilmmakers.com examines the theory and practice of visual storytelling through motion-picture photography. Drawing on essays, technical analyses, and interviews with award-winning cinematographers, including members of the American Society of Cinematographers (ASC), British Society of Cinematographers (BSC), and Canadian Society of Cinematographers (CSC), the category emphasizes how aesthetic decisions emerge from narrative, logistical, and technological constraints.
At our film school, the Creative Media Institute for Film and Digital Arts, traditional tungsten Fresnel fixtures have been the […]
“Is There Light at the End of the Tunnel?” Now Let’s Think Outside the Box By William Donaruma It
Camera Composition That Tells the Story By David Landau Composition is selecting placement of everything within the frame and
(Article published in StudentFilmmakers Magazine.) How to Use Camera Framing as a Storytelling Tool Reinforce the Intention of Your Scene
(Article published in StudentFilmmakers Magazine.) How to Motivate Your Light Here’s How… By Scott Spears So, you arrive on set
(Article published in StudentFilmmakers Magazine. Above photo from the film, “Skimmers.”) The Art of Location Scouting Look, Access, Schedule and
While the Director is the headliner who runs the show, the Director of Photography is the second most important person
Great Cinematography begins with inspiration and research By David Landau In my teaching career, I have seen all too often
Award-winning cinematographer Theo Van de Sande, ASC recently completed his second pilot, CBS’s Evil Men, shot with Panasonic’s new VariCam
The Importance of Having a Camera Operator on the Set “Choosing Your Film Crew Wisely: Key Departments and Roles,” omits
by Mary Ann Skweres Set in the steamy jungles of southern India during the turbulent nationalist era of the 1930’s,
by Bryan Michael Stoller Film. The magic of celluloid! I first fell in love with film in the seventies when