Lighting the Narrative: A Conversation with David Moxness, ASC, CSC
Q. How does a project’s genre influence your approach to lighting? David Moxness, ASC, CSC: Regardless of genre, story comes
The Cinematography category on StudentFilmmakers.com examines the theory and practice of visual storytelling through motion-picture photography. Drawing on essays, technical analyses, and interviews with award-winning cinematographers, including members of the American Society of Cinematographers (ASC), British Society of Cinematographers (BSC), and Canadian Society of Cinematographers (CSC), the category emphasizes how aesthetic decisions emerge from narrative, logistical, and technological constraints.
Q. How does a project’s genre influence your approach to lighting? David Moxness, ASC, CSC: Regardless of genre, story comes
Connecting the Dots Crew engagement and collaboration. By Hiro Narita, ASC Diverse Beginnings More often than not, filmmakers have their
With a last minute shooting fill-in position and a limited schedule, Michael Goi, ASC recalls a seamless production with on-set
Shed Some Light Exclusive Interview with John Simmons, ASC You were nominated for Outstanding Cinematography for a Multi-Camera Series (2020)
Use Camera Angles to Increase Production Value By Jared Isham If you haven’t noticed, there are a whole lot of
(Pictured above: The crew captures Miles [Timmy Hart Barron] and Annie [Callie Johnson] in a flashback, shot at Starved Rock
Filmmakers Global Network :: Community Spotlight with Maia Kimadze Cinematographer, Editor, Director Current Projects: For the last 8 years,
StudentFilmmakers Magazine: What changes in HD have you seen over the years? Paul Wheeler, BSC: The most significant change was
StudentFilmmakers Magazine: What was one of your most favorite scenes to shoot and why? Paige Thomas, SOC: One of my
Pictured above: Shooting Arri Alexa Mini with Ultra Wide – Glendale skatepark. Photo: @thinkmillergroup. What technologies have driven change in
What are your thoughts on the LED lighting movement? Alan Steinheimer: In the beginning LEDs for filmmaking were subpar,
Pictured: Steven Soderbergh shooting on an iPhone for “High Flying Bird”. Written by John Klein As most film productions have
© 2026 Space Race Agency Inc. · Privacy Policy · Terms of Service
Publishers of StudentFilmmakers.com, HDProGuide.com and SportsVideoTech.com