Love the Look and Leave Your Spot Meter at Home
I received an e-mail query from a University of Colorado cinema student approaching his first interior shoot with 16mm Kodak
Cinematography
The Cinematography category on StudentFilmmakers.com examines the theory and practice of visual storytelling through motion-picture photography. Drawing on essays, technical analyses, and interviews with award-winning cinematographers, including members of the American Society of Cinematographers (ASC), British Society of Cinematographers (BSC), and Canadian Society of Cinematographers (CSC), the category emphasizes how aesthetic decisions emerge from narrative, logistical, and technological constraints.
M. David Mullen, ASC Student Filmmakers Lighting Interview
Over the years I’ve answered many questions from students regarding lighting. One thing I want to emphasize is that what
ARRI Academy Hands-On Camera Classes in Burbank and Brooklyn
Emerging filmmakers looking to crew-up, discover the basic elements of camera composition and lighting design through ARRI Creative Tools? Our
Improve your skills and empower your image at ARRI Academy
Block, Light, Shoot Workshop ARRI Academy | BLOCK LIGHT SHOOT from Hype Alliance on Vimeo. This 2-day class will explore
M. David Mullen, ASC’s Notes on Camera Movement
When to Move the Camera and Why by M. David Mullen, ASC Camera Movement Needs Motivation Motivation is not
“What is Realistic Cinematography?” by M. David Mullen, ASC
As most people know, the stylistic trend in cinematography over the century has been towards greater realism, which has been
The Color Palette of Film: How Cinematographers Use Color
Examining the Color Palette of Film: The Impact of Color and Its Use by Cinematographers by Jacqueline Frost What
Color Grading 101: Getting Started with Color Grading
Charles Haine’s educational articles covering topics in cinematography, directing, and film business have been published in StudentFilmmakers Magazine, the #1
“To Zoom or Not to Zoom: That is the Question” by Peter Stein, ASC
You have just gotten your first big film to shoot. This is an exciting time. You want it to be
‘Quick Change’ Lighting: 9 Tips for the Time-Saving Technique
In the cinematographer’s ideal world, we would get every piece of equipment we asked for, and production managers would give
“Lighting for Film: Keep It Simple” by Michael Corbett
To improve your tennis game, play with better tennis players. I am not sure where I first heard this, but
“High-Speed Photography Tips” by Kevin Zanit
Extremely high-speed cinematography presents its own set of unique challenges. It is an art of its own, that takes much