From Grease Pencils to Digital: Editing on the College Scene
By Dean Goldberg Dean Goldberg looks back at syncing dailies with grease pencils and real bins, and at how editing,
News from film schools and educational programs: student achievements, new programs, workshops, events and opportunities for film and media students.
By Dean Goldberg Dean Goldberg looks back at syncing dailies with grease pencils and real bins, and at how editing,
AFI Conservatory faculty and alumni share advice for aspiring production designers: collaboration, research, character back story and visual storytelling. Advice
Filmmaker David Osit, a graduate of SVA’s MFA in Social Documentary Film, talks about mentors, classmates and how the program
Maine Media Workshops + College faculty, including producer Andi Isaacs, explain how the school’s intensives help students get a competitive
By William Donaruma William Donaruma explains why his film program moved from Super 16mm to digital cinema, from Skyfall and
By Zachary Steven Houp and Sean D. Gaston When a class project in Sean Gaston’s TV and media classroom was
By Mary Ann Skweres The Los Angeles Film Festival honored CalArts with a program of student shorts. Mary Ann Skweres
By William Donaruma Film professor William Donaruma explains why his program looked at the RED camera, what he learned from
By David Kaminski Film a reality show on a cruise ship or shoot travel videos abroad? David Kaminski explains how
By Dean Goldberg Does a production student need cinema studies? Dean Goldberg makes the case for film history, starting with
By David Kaminski Film teacher David Kaminski explains how a school moved to HD cameras: choosing gear, budgeting, and changing
By Dean Yamada Film teacher Dean Yamada goes behind the scenes of East of Berlin and Persimmon, two films that
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