Don’t Let Your Original Footage Run the Risk of Living in Oblivion
By Bill Zarchy Preserving your original media is a cardinal rule of production. Bill Zarchy explains how to protect, back
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By Bill Zarchy Preserving your original media is a cardinal rule of production. Bill Zarchy explains how to protect, back
By Saro Varjabedian Soft light comes from diffusion or bounce. Saro Varjabedian shows how to build a 2.5K soft light
By David Kaminski First-time director Jessica Oreck talks about her debut documentary Beetle Queen Conquers Tokyo, a film about Japan’s
By Dean Goldberg Cameras are cheaper and easier than ever, but what got lost? Dean Goldberg compares old and new
By Mike Valentine, BSC From the first underwater photograph in 1856 to today, Mike Valentine, BSC explains the craft, gear
By Daniel Gaucher Deliverables scare many offline editors. Daniel Gaucher explains the layoffs and outputs needed at each stage of
By Dana Dorrity After seeing the Dogme film The Celebration, Dana Dorrity explored what makes digital video a cool medium
By Patrick Drazen Before Your Name, Makoto Shinkai made anime almost alone on a computer. Patrick Drazen looks at the
By Mary Ann Skweres Chalk looks at high school from the teachers’ lounge. Mary Ann Skweres talks with the team
By Scott Essman Editor Alexander Serpico, son of detective Frank Serpico, talks about his New York post-production career and why
By Jack Anderson Camera operator Jack Anderson tells how he filmed a key shot for Steven Spielberg’s Hook and what
By Karelisa Falkner When iTunes added animated shorts, a student film got a deal. A look at the animated short
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