Creating Sci-Fi Effects on a Budget
By Mark Cheng How did a self-financed 30-minute sci-fi film look like a blockbuster? Mark Cheng breaks down the visual
Every StudentFilmmakers article in one place: 1,739 interviews, how-tos and features with ASC cinematographers, award-winning directors and the next generation of filmmakers, including 20 years of StudentFilmmakers Magazine. Newest first.
By Mark Cheng How did a self-financed 30-minute sci-fi film look like a blockbuster? Mark Cheng breaks down the visual
By Al Caudullo The Spring is an action drama shot in 360 3D VR inside a cave. Al Caudullo explains
By Sebastian Corbascio Director Sebastian Corbascio shares notes on casting and directing young actors, from first-timers to experienced kids, to
By Leonard Guercio What medium does your material want? Leonard Guercio explains how directors choose between film and digital formats
By Sam Kauffmann Sam Kauffmann compares HD and HDV formats, compression, resolution and workflow, and explains what the differences mean
By Bryant Falk Is hard drive recording the answer for location sound? Bryant Falk weighs the pros and cons of
By David K. Irving Every director meets good and bad luck. David K. Irving shows where things tend to go
By Carl Filoreto Budget cuts and new technology are shrinking newsrooms. Cameraman Carl Filoreto explains how news shooters can find
By Mark Cheng Not a handyman? Neither is Mark Cheng. He shows how he built a futuristic sci-fi set for
By Saro Varjabedian Conrad Hall, ASC called them happy accidents. Saro Varjabedian explains how camera operators stay ready to capture
By Rob Kaye Your voiceover demo is your calling card. Rob Kaye explains six kinds of voiceover demos and how
By Anthony Q. Artis Student and guerilla filmmakers are optimists. Anthony Q. Artis explains how to avoid the four most
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