HD Solutions: Finding a Path That’s Right for You
By Leonard Guercio So many HD options can freeze a filmmaker. Leonard Guercio explains how to choose the production and
Every StudentFilmmakers article in one place: 1,737 interviews, how-tos and features with ASC cinematographers, award-winning directors and the next generation of filmmakers, including 20 years of StudentFilmmakers Magazine. Newest first.
By Leonard Guercio So many HD options can freeze a filmmaker. Leonard Guercio explains how to choose the production and
By Scott Essman Production designer Nathan Crowley and set decorator Gary Fettis explain how they built the practical sets of
By Myrl A. Schreibman The digital intermediate changed post-production. Myrl A. Schreibman explains how the DI process works and what
David Landau’s Lighting for Cinematography teaches the lighting skills no camera can replace. A look at what film students learn
By Dana Weidman Dorrity Hollywood likes writing partners. Dana Weidman Dorrity explains how to choose a writing partner, split the
By Damian Horan Damian Horan won the 2012 ASC Andrew Laszlo Student Heritage Award in the graduate category. He explains
By Ira Tiffen Telling a story visually means keeping the audience in it. Ira Tiffen explains continuity of effects such
By William Dickerson Film professor William Dickerson shares a quick directing tip: how to use action verbs to adjust the
By Dana Weidman Dorrity Robert McKee says we lose interest when point of view isn’t set. Dana Weidman Dorrity explains
A good filmmaker and composer relationship is essential. Learn how to define your film’s artistic world so your composer can
By Ira Tiffen If everything in front of the camera is perfect, you need no filter. Ira Tiffen explains what
By H.R. McDonald H.R. McDonald won the 2012 ASC Andrew Laszlo Student Heritage Award in the undergraduate category. He explains
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