Keep the Pencils Sharpened
By Tony White Many think computers ended the need for drawing in animation. Animator Tony White explains why traditional art
By Tony White Many think computers ended the need for drawing in animation. Animator Tony White explains why traditional art
By David K. Irving The essence of cinema is editing. David K. Irving explains how editors and directors shape emotion
By Sam Kauffmann Making the film is the easy part. Sam Kauffmann explains how to plan a world premiere screening
By Kristen Baum As a director looking for a score, it helps to know what is involved. Composer Kristen Baum
By Scott Essman and Carsten Dau Comic book legend Stan Lee talks about the Hulk, his place among Marvel’s characters
By David K. Irving “I set a course and I steer it.” David K. Irving explains why a film set
By Jon Firestone A camera jib adds production value fast. DP Jon Firestone explains how to set up, balance and
By Jonathan Moore, M.F.A. A screenwriter’s main goal is a good story that satisfies an audience. Jonathan Moore explains three
Bradley Tangonan talks about his award-winning sci-fi drama short Coaster and how flashbacks, cuts to black and split screen drive
By Scott Essman Oscar winner Chris Dickens explains how he edited Slumdog Millionaire with Danny Boyle: pace, structure, music and
By Jared Isham Bad acting sinks many micro-budget films. Jared Isham explains why it happens and how to cast and
By Jody Michelle Solis Cinematographer Adam Biddle, who worked on V for Vendetta and Bridget Jones, talks about shooting the
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