Screening a Work in Progress
By Sam Kauffmann Editors value screening a rough cut. Sam Kauffmann explains how to run a work-in-progress screening, ask the
By Sam Kauffmann Editors value screening a rough cut. Sam Kauffmann explains how to run a work-in-progress screening, ask the
By Fred Ginsburg, CAS, PhD How loud should dialogue be recorded? Fred Ginsburg, CAS explains VU, peak and digital meters
By Anthony Q. Artis Nightmare clients often come from poor planning. Anthony Q. Artis lists five things freelance filmmakers should
Tomas Salles directed, edited, produced and animated the award-winning short Equilibrio. He explains how he shot, animated and cut the
By Bryant Falk When recording location sound, four tracks give you room to capture what you need. Bryant Falk explains
By Todd Grossman “The best camera in the world is the one you have with you.” Todd Grossman asks whether
By David K. Irving Actors and director create characters together. David K. Irving explains how to work with actors on
Emmy-winning director and editor Tim Kolb talks about his award-winning projects, his workflow and his top three editing tips for
By Phil Hall Finished your first feature? Phil Hall lists ten important things to know before you contact film distributors,
By Vicky Collins Is there an aftermarket for your media? Vicky Collins shows documentary makers how to find educational, nonprofit
By Tushar Unadkat Small talk opens doors in the film industry. Tushar Unadkat shares important tips for informal conversation at
By Bill Zarchy Preserving your original media is a cardinal rule of production. Bill Zarchy explains how to protect, back
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