High Maintenance: Interview with Director Phillip Van
By Jody Michelle Solis Phillip Van, Eastman Scholarship winner, talks about directing and shooting his short film High Maintenance: visual
By Jody Michelle Solis Phillip Van, Eastman Scholarship winner, talks about directing and shooting his short film High Maintenance: visual
By William F. Vartorella Crashed cargo planes, vampire bats and endless rain: William F. Vartorella gives a crash course in
By Carl Filoreto NBC’s Mara Schiavocampo and other backpack journalists explain how one person can shoot, report and edit news
By Ryan Hensley HD is everywhere, from features to episodic TV. Ryan Hensley covers the HD editing basics: formats, codecs,
By Leonard Guercio Joe Stinson, who wrote the line “Go ahead, make my day,” talks about screenwriting, writing for Clint
By Ira Tiffen When you need to get up close, close-up lenses help. Ira Tiffen explains how close-up lenses and
By John Hart Storyboard artist John Hart shows how one-point perspective makes storyboards and shots more dynamic, and why it
By Leonard Guercio When a film school bought its first HD cameras, some problems were new and some were not.
By Bryant Falk Just as you choose a visual look, you can choose an audio texture. Bryant Falk explains how
By John Klein Distribution is the golden ticket of filmmaking. John Klein explains domestic and international channels and the strategies
By Julia Camenisch High definition is redefining acquisition. Julia Camenisch explains why you should choose your HD format first and
By Mark Cheng How did a self-financed 30-minute sci-fi film look like a blockbuster? Mark Cheng breaks down the visual
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