From Novel to Screenplay: Me and Orson Welles
By David Kaminski No filmmaker stands alone, not even Orson Welles. David Kaminski looks at adapting the novel Me and
Every StudentFilmmakers article in one place: 1,737 interviews, how-tos and features with ASC cinematographers, award-winning directors and the next generation of filmmakers, including 20 years of StudentFilmmakers Magazine. Newest first.
By David Kaminski No filmmaker stands alone, not even Orson Welles. David Kaminski looks at adapting the novel Me and
By David K. Irving Second unit crews shoot scenes the main unit can’t. David K. Irving explains what a second
By Hali Gardella Proper stereographic cinematography on a budget isn’t easy. Hali Gardella explains where film students should start when
By Nash Choudhury DP William Klayer talks about what he learned on Law & Order, shooting his debut feature and
By Scott Essman Emmy and Eddie award-winning editors Dean Holland and Dave Rogers explain how they cut the comedy series
By Michael Corbett Every production needs a shooting schedule. Michael Corbett shows how to build one DIY-style, from script breakdown
By Ian Johnson Filming in 3D brings new obstacles. Ian Johnson explains on-set convergence and why correct camera alignment saves
By Sky Crompton On the last day of shooting Citizen Jia Li, Sky Crompton reflects on making heart-warming Asian pop
By Peter W. Rea and David K. Irving There is no secret formula for raising money. Peter W. Rea and
By Phil Hall The festival circuit can drain your emotions and budget if you don’t plan. Phil Hall shares a
By Evan Bollig, Ian Johnson, and Dr. Gordon Erlebacher A student 3D project combined stereoscopic live action with virtual reality.
By Stacey Parks Stacey Parks shares constructive crowdfunding advice based on what works and what doesn’t in film campaigns, with
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